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Dec
18

2008’s Top 10 Video Clips.

And so it begins; the obligatory list season. As usual, I’ll kick it all of with my 10 favourite video clips of the year. Whether or not these songs are released in 2008 or 2009 doesn’t matter; the clip surfaced in 2008 (excluding #7, which surfaced after I’d compiled my list last year), and that’s all that matters to me.

01.  GIRLS ALOUD – The Loving Kind

Finally! They’ve given us something worth watching. After years of still-quite-good but cheap-looking video clips, Girls Aloud have blown me completely out of the water with this, the latest for their upcoming single “The Loving Kind.” This is proper, pop star territory, and the clip alone is solid enough to launch them properly in other countries, don’t you think?

02. LILY ALLEN – The Fear

Everything feels right in the world now that Lily’s making music again, doesn’t it? And this clip is a million levels of adorable. Naturally, it all comes complete with that infamous Allen bite you either love or hate. No matter what she does, or who she slags off, I just cannot hate her. There’s something very special about Lily…

03.  JUSTICE – Stress

This caused a bit of a ruckus when released earlier this year, so much so I had emails from people condemning me and the website for hailing it as a piece of brilliance. Whatever. The clip is still gold, and you can read whatever it was I crapped on about in regards to it by clicking here.

04.  MIAMI HORROR – Don’t Be On With Her

Miami Horror wanted to make an authentic 80’s looking video clip for his televisual debut, and I think it’s safe to say he’s hit a bloody home run with this. An absolute corker and a rock-solid throwback to an era when video clips were important, and not relegated to a tiny screen on YouTube.

05.  VAN SHE – Changes

There’s something quite charming about this clip, which is essentially a bunch of photographs put together as a film from one of the boys many tours of Japan this year. It’s just really, really cute, and looks rather mindblowing on a HI-DEF big screen TV.

06.  THE LAST SHADOW PUPPETS – The Age Of The Understatement

Epic.

07.  ASHLEE SIMPSON – Outta My Head (Ay Ya Ya)

Simpson does Salvador Dali, whilst still retaining all of her pop credentials. Jessica Who?

08.  ROISIN MURPHY – You Know Me Better

Subtle brilliance. And how’s about those divine costumes?

09.  ROISIN MURPHY – Movie Star

Anyone that pays homage to John Waters and Divine deserves a pat on the back in my books. But when that someone is Roisin Murphy, well, a pat turns into a gigantic hug. Something I got from the woman herself earlier this year.

10.  MUSCLES – The Lake

Even if he doesn’t appear in the clip (boo!), this is still a stunningly pieced bit of music video. That sequence at the end with the disgruntled old man clasping onto the woman’s foot reminds me, strangely, of Kristin Davis’ death scene on Melrose Place. Bravo!

Oct
25

“Phwoar.”

Fucking hell. Have you seen the first round (!!) line up for the Australian leg of Modular’s Nevereverland party?

Klaxons
Hercules & Love Affair
Van She
Ladyhawke
The Presets
Cut Copy
Whitest Boy Alive
The Bumblebeez
Muscles
Tame Impala
The Bang Gang Deejays
AJAX
The Lost Valentinos
Mission Control
Temper Trap
Canyons
Pepperoni
Andee Van Damage
 

And again; Fucking hell. Is that probably the best line-up for a festival all year? How am I going to cope with so many of my favourite artists playing on the one bill? Seeing as she’s signed to Modular in Australia, will Robyn be a last minute addition? Could someone please make the latter happen?

Whilst I’m on the topic of all things Modular, some interesting news on Muscles has cropped up this weekend. He’s ditching his MySpazz account and urging fans to sign up to his official newsletter should they want updates on what’s going on with his new single and album project. Go to his bit on teh interwebs and sign up to “Muscles Mail” to stay in the loop.

When are Girls Aloud going to be signed to Modular?

Jul
23

An Amazing New Photo Of Muscles.

As you were.

Mar
17

Muscles ‘The Lake Tour’

MUSCLES ‘THE LAKE TOUR’
ACOUSTIC SET – LIVE @ THE TOFF IN MELBOURNE (15th March)
ELECTRO SET – LIVE @ BARWON HEADS HOTEL (16th March)

An electro-kid playing an acoustic set of his album tracks doesn’t sound too convincing on paper, does it? At least not to those with little faith in the talents of Shepparton boy Muscles. But for the fans who were able to see past “Ice Cream” being a dance-infused club banger, Muscles’ one-off Acoustic live set at Melbourne’s classy The Toff was a luscious slice of heaven. As he walked onto the stage, Muscles began to play on the grand piano whilst singing his heart out. Interestingly, songs like “Lauren From Glebe,” “Ice Cream,” and “Marshmallow” were given a more heartbreaking feel with their lack of bass and electronic energy. Muscles’ voice was the clearest it has ever sounded live too; with only a piano to back him up, there was nothing to hide behind and, if anything, it only demonstrated just how strong the boys voice actually is. For those who think he’s just a screechy mess vocally, you would have been pleasantly surprised at the acoustic set to see just how wonderful his pipes really are. The highlight of the acoustic set at The Toff was a stunning rendition of “One Inch Badge Pin,” which needs to be made available for some kind of consumption by the general public.

The following night, Muscles brought his electronic gear down to Geelong’s Barwon Heads Hotel. Alarmingly, myself and the group of friends I went with were very much the oldest punters in the venue (and nothing reaffirmed this fact more than a complaint about a sore hip,) but, nonetheless, the three of us still managed to rock out up the front to Muscles’ incredibly energetic live show. Jumping around, pumping his fists in the air, the boy only seems to get better with each live show I see him do.

Just over an hour passed; an abundance of trashed children who were probably unable to even make out who was on stage as they tried to push me out of my spot, one brawl between two slags and the serious thought of a hip replacement later, I walked away from the gig bruised and battered, but with a smile on my face. Ice Cream always seems to save the day.

Jan
10

Icy-Pole.

Recently I interviewed Modular boy Muscles. I’ve been waiting for the right time to pop this little piece up and now that he’s released the aces single “Sweaty” in the UK this gone Monday, I thought that now was as good a time as ever. It’s probably one of my favourite pieces of writing, so I hope some of you enjoy it as much as I did piecing it all together.

Muscles is sitting outside in the sun, soaking up the delights of a Sydney summers day whilst it pours down with rain back in his adoptive hometown of Melbourne. Typical. Whilst he may be out having fun in the sun, contrary to popular belief, there’s no lemonade today or, for that matter, any hammocks either. But there is some raspberry cordial, which could very well end up being the central motif for the follow up album to this mans incredibly massive debut Guns Babes Lemonade. “I haven’t had raspberry cordial in a while actually,” he says with a grin. “I reckon I might get stuck into it over Summer though, cordial is very good for hot weather.”

It’s moments like this that confirm Muscles is far from being a pretentious rock star, opting to discuss the delightful ingestion of cool beverages and being a Cottee’s kid rather than sex, drugs and rock and roll. This is a boy from Shepparton who came to the big smoke to do what he loves; to make great dance music about Ice Cream and Lemonade, and to then play it live for hundreds of people. Seems to have been a wise move. Muscles’ first full length album debuted on the ARIA charts at Number #14 earlier this year in its first week. No one was more surprised than Muscles himself. “I woke up on the Sunday morning and received a call from a friend at the label,” he says. “He asked me if I wanted to know where the album had charted, and I really didn’t want to. I wanted to wait till that evening when the charts were posted on the Internet. I was a bit worried [that the final charting] would be really crap, and that I’d get dropped from my label, but yeah, it came in at number 14! People were sort of expecting Top 30, and breaking into the Top 20’s pretty hard, so it was really cool cracking into that simply with support from alternative radio and playing lots of live shows.”

The beginning of the Muscles success story reads like a fairy tale. The wonder-kid plays sets across Melbourne and Sydney over the latter half of last year and the earlier crack of this one. One night, the big-wig’s from Modular Records show up. After his set, they invite him to join them the next day for a meeting to discuss the release of his album. “Up until then, I wasn’t really on their radar, and they weren’t really on mine either,” he suggests. “At the same time [that the Modular deal happened] I started getting a lot of airplay on JJJ and heaps of other record labels began contacting me (laughs.) But Modular seemed like the best choice, they knew what was right for the music.” Music which has ignited many interesting debates. There seems to be no middle-of-the-road stance when it comes to Muscles’ unique brand of shouty-and-ironic-but-not-really-actually dance music. You either love him and his uncanny similarities to Gavin Rossdale in vocal delivery, or you just absolutely hate it. Either way, he’s happy. “The haters? Yeah, they’re pretty funny man, it’s good to have a balance!”

Not wanting to succumb to any sort of electronic musical trend, tracks like The Lake and Lauren From Glebe on his debut LP incorporate large, vibrant 90’s-esque trance riffs. “I love trance!” he beams with extreme gusto. “I always listened to the big commercial trance that was pumped out every month back in the late 90’s. In general, I just really love synths and the different kind of synth sounds you can make. I don’t want to be apart of any kind of trendy or cool electronic music clique, I just wanna produce music that I like.” A cool electronic music clique? “I don’t know if they’re trying to sound cool,” he says, “but it’s really easy to copy what someone else has done. Trying to create something new and exciting is a lot harder than copying someone else. Maybe they’re just trying to take the easy road?” Hmm. Ice Cream for thought.

Our conversation swiftly reverts back to the good times, discussing the stories behind some of his lyrics; (We spent our Summer drinking lemonade in hammocks.) “I didn’t really spend all of my summer drinking lemonade in hammocks,” he says with a laugh. “I like lemonade and I like sitting in hammocks, so I thought I’d put ‘em together.” So he’s fine with the possibility of a new lemonade/hammock trend he may have ignited over these warmer months? “Yeah man, you should send me a photo of yourself drinking lemonade in hammocks this summer! I reckon that’d be sweet.”

Just like raspberry cordial hey Muscles?

http://www.musclesmusic.net/
http://myspace.com/musclesmusic

Nov
21

Jean Claude Van Muscle.

I spoke to a couple of very talented boys earlier today. They wanted to say hello…

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Gotta say that no matter how many times I chat to any of the guys from Van She, I still turn into such a gushing fanboy. I was pretty nervous about this one because I’ve never actually interviewed any of them before, only face-to-face conversations of me waxing nonsensical, scaring them all after a gig, so lucky their gorgeous drummer Tomek Archer was an absolute gentlemen and – listening back to the whole thing – I didn’t sound too ridiculous. Hopefully.

Full interviews online next week.

Until then, why not read about Van She in the eProfile, or check out my review on the old site of the debut album from Muscles, Guns Babes Lemonade?

Sep
26

Parklife Music Festival ‘07.

PARKLIFE, MELBOURNE 22/09/2007
By Adem Ali.

Last years Parklife music festival was one of the most talked about events of the year, so it was no surprise that the second instalment in 2007 was going to be huge. And huge it was. Too huge, even. Where did all those people come from?

There was such an abundance of punters at this event it was hard to flicker your eyelids in some situations. The day started off miserably with the task of trying to find a decent position to watch Shepparton boy Muscles play a live set at the Fire Stage. Muscles was great, but the crowd was a nightmare. No matter where you stood, you were inches away from having your life taken from you, and the chances of being pulled under the crowd thanks to their insane shoving and carrying on grew bigger. Eventually, after potentially losing every single one of my toes and an absolute barrel of my dignity, I made my way towards the stage exit, with the thought I’d just listen to Muscles play from the sides. That took around 15 minutes to do. Muscles opened with “Sweaty,” and rocked out to “One Inch Badge” and “Spirits.” Phenomenal new single “Ice Cream” did its job in raising the atmosphere, but it just wasn’t enough for those of us forced to stand on the sidelines, looking at equipment hanging from the stage rather than the performer.

Aussie boys Riot In Belgium blitzed through their DJ set with great gusto, managing to rip out The Porn Kings’ “Up To No Good” at one point. The Earth Stage, a much more controlled environment to everywhere else at the event, was also host to Yelle, one of the most exciting pop stars to come out of France. An eclectic mash of electro, pop and rock and roll, Yelle’s fiery on stage antics gelled with the crowd, sending them into a right spin. Performing singles “Je Veux Te Voir” and “A Cause Des Garcons,” along with other amazing tracks from her debut album “Pop-Up,” Yelle and her energetic band absolutely tore the house down. Without a doubt, this was THE set of Parklife; full of energy, great atmosphere… Yelle is an absolute star and if you missed out on her set, you missed out on the best this party had to offer.

My problems were soon to come rushing back at me in full throttle once again though. I made the mistake of leaving the comfortable Earth Stage surroundings to head inside the enormous (and overly crowded) Water Stage for MSTRKRFT’s DJ set and Digitalism’s live one. There was only the one position to (sort of) comfortably stand, and that was on the absolute egde of the arena, standing next to a skank dancing on a rollie-bin. Fucking awesome. Not only were my retinas being burnt alive, the stench (which probably came from the skank rather than the bin) was absolutely vile, and I could barely hear ANY of the music. The myriad of discussions going on between people on the sides of the stage were louder than the actual music. This was a huge problem through out the party on ALL of the big stages; unless you were smack, bang in the centre of a speaker somewhere, there was bugger all chance of hearing anything that was going on. It was really disappointing deciding to leave before Digitalism had even started, even more sad coming to the realisation there was probably no chance in hell I’d get to hear any of Justice’s live set later on in the night because of the sound issues and crowd situation. I felt like Alison from that ridiculous TV Show Medium, hearing all these bloody voices carrying on whilst trying to focus on the one thing I’m actually there for. The pain of it all just wasn’t worth it.

The crowd issues continued for M.I.A’s set on the Air Stage. Once again, way too populated, though I’d managed to secure myself a spot close to the front so at the very least I could hear what she was banging on about. Great set, but once again pity about the people. Hundreds of bodies pushing and shoving their way through, people leaving virtually every five seconds, choosing me – ME! – every bloody time to push past on their way out. I’d understand if I was standing right next to the exit but I was IN THE MIDDLE UP NEAR THE FRONT for crying out loud. It just didn’t stop! People continued to stomp on my feet as they walked either out of the area, or tried pushing their way into it. Constantly through her hour set. Half the time it felt like we were being huddled into a concentration camp.

Aside from that nonsense, M.I.A. ripped out a killer live set, and threw a few political punches whilst up there too. Putting a halt to the music at about 10 minutes in, M.I.A. announced on the microphone she had to sign a special Visa Agreement to enter Australia that, basically, said she wasn’t involved in any sort of terrorist activity. Grabbing a lighter, the controversial singer set fire to the documents and began reading the government listed conditions from the pages as they burnt in her hands. As the show went on, flashes of “No Howard” and “Howard Out” beamed across the big screens on stage, demonstrating where the activist stood on our nations politics. M.I.A. then asked members of the audience to join her on-stage for “a party,” something she had done with less success at 2006’s Big Day Out when I saw her last. Members of the crowd got themselves up on stage and danced with the diva as she continued her show.

Whilst she remembered to make serious points and share in her global on-stage party, she forgot to perform her newest single, the brilliant bollywood disco number “Jimmy,” much to my absolute horror. Wasn’t exactly the way I’d expected my night to end; not hearing the one song I was sure I would hear from her.

All in all, the event was exhausting. Any time there was movement to another area, I felt my stomach tie itself in knots. I didn’t want to suffer through people pushing past me and being unable to enjoy what I was there for: the music.

There’s a lot of work to be done if they are to make next years event suitable for attendance. First of all, how about selling less tickets to suit the space you’ve been given or, better yet, make the areas bigger? Maybe even turn up the sound so people who aren’t inside the bloody speaker can actually hear it? Oh, and don’t make people buy coupons/tickets so they can buy drinks, then make them wait in line for ages to do so. The tickets were such an obvious way of ripping people off of 50 cents to a dollar here and there, it was all absolutely outrageous. Then to top it off, you were only allowed to purchase two drinks at any one time. Great. Spend most of the event in a line waiting to buy drinks for you and a few friends, then get told you can only take two back with you. What an unreal afternoon.

The hassles and issues that this party generated sucked the absolute life out of me. And then there was all the fucking fluro attire. Pity, because the line up was actually really very good.